The Empathy Machine

Do you listen to This American Life? I don’t, and people are always shocked to hear it. Though I love the idea, I just haven’t caught on to podcasts yet, even though I am a lifelong devotee of NPR. However, Ira Glass did catch my attention this week when the Huffington Post reposted an old interview on storytelling, sermons and oral history. At least two of those are extremely relevant to my interests, and the interview makes me want to find out more of what all the fuss is about.

I think I am addicted to other people telling their life stories. When Ira Glass says, “The mission of our show [is] to take the people and present them at exactly life scale,” my heart flutters. By coincidence, this week I also finished Hard Times, Studs Terkel’s oral history of the Great Depression. I always feel like something monumental is happening to me when I read a Studs Terkel book. In this instance, the contemporary parallels are shocking — huge portions of these accounts could have been given by people alive today, even down to the details. To see that expressed so extensively, with such honesty, routinely bowled me over.

Oral histories always make me think about my own time, now. Will some dutiful student haltingly interview me someday? I was a high school freshman the day of the Columbine shootings, a high school senior on 9/11, a college senior during Hurricane Katrina, an Ohio voter when I stood in Grant Park and watched President-elect Obama give his acceptance speech. Even at 26, I’ve been alive to react to the 2000 presidential election, to the rise of the Internet, to the breakup of the Soviet Union and much more besides. Is my perspective someone’s future assignment? I dearly hope so.

Ira Glass mentions, in his interview, a woman whose contribution to the so-called War on Terror is refilling the candy on aircraft carrier vending machines. That’s her story at life scale. From time to time I worry that, despite all of the above, my story won’t have that same quality of content. “The Day I Lost Inside Wikipedia” or “How I Watched a Whole Season of Fringe in a Weekend” are not how I’d like to bore people at parties in future years. My hypothetical student deserves better too.

For someone who spends as much time on computers as I do, it is a little odd that I haven’t embraced podcasts just yet. I am old-fashioned in some particular, irregular ways. Radio shows, to me, don’t feel right unless they’re coming out of a radio. It doesn’t matter what kind, but watching the audio stream and stutter on iTunes just isn’t it. I miss NPR, though, and I would like to listen to it more. Luckily, I have some radios in my future.

That blob would be Gus, my basset hound. A magnificent view from all angles.

The process of packing up and clearing out my childhood home has been a protracted and painful one. Somehow I never imagined that I could point to pieces of my house and say I wanted it for my own. These radios have lived in our basement for years. I wasn’t even sure if they still worked, but I like the shape of them. They’re bulky and solid: they command attention, as they’re meant to. I like the raised letters of the brand, the big bakelite buttons and the stylized dial. My dad, somewhat puzzled that I would want them, nonetheless brought them upstairs and plugged them in. As it turned out, they were both totally functional, which endeared them to me even more. I liked that. It felt profoundly optimistic, for a piece of machinery with at least 50 years in it.

The last time I was home was Thanksgiving. I remember that Saturday night, without planning it, my dad turned on A Prairie Home Companion, another staple of my youth, and we all sat there, on temporary furniture, and listened to Garrison Keillor broadcast out of Cincinnati. His “News from Lake Wobegon” segment has always been my favorite — when I was little, I didn’t realize there was more to the show — and this installment was about the holiday. He had a line that resonated so strongly to me, then and now: in that voice of his, flat enough to be both earnest and wry, he described “all the exiles coming home again.” I feel like I will always remember that. And I will probably tell that story again.

My parents refuse to visit Chicago during the winter, so expect I’ll be waiting a long time for my radios to get to me. I’ve got my emotional attachment to them now, though. We have a history. In a way, that helps me be patient. Until then, I’m not averse to other changes. This week’s podcast of This American Life is sitting on my hard drive. Attention got, Mr. Glass. Tell me more.

Let’s call it a settling-in period.

Becoming a knitting superstar is not in my immediate future either.

Behind already! I’m trying not to get too down on myself for not keeping to schedule right out of the gate. To be fair, I had a magnificent burst of inspiration for last week‘s would-be work: a children’s story that I’ve been meaning to write since this summer. But, and this has long been a mental block for me, paranoia got the better of me. I began fretting about how to protect my work, how to ensure that no one would steal it or republish it without my permission or any of a number of control-losing scenarios in which I would, of course, be left with no recourse but to wallow in my helplessness in the face of an unkind, uncaring internet. Pretty good story, right?

On the other hand, it made me start to make stabs at a privacy/sharing policy and investigate Creative Commons licenses. I also took a bunch of notes on a page I’d like to make a permanent feature of this blog, in which I talk about two of my most formative storytelling experiences, and about how they’re not what you might think they are, and why that’s important. It will be great! This week’s essay and creation are also already underway, so I’m getting better (cheers, Lennon and McCartney).

What I think I’m working up to is thanking you all for your patience and support. It’s true! Thank you. I am looking forward to getting some writing done.

Hippos are allergic to magic and other true facts

Friends, I have painted my fingers and toes a deep, sparkly purple. I am ready for anything.

This may become a regular feature of Magpie & Whale — we’ll see if it happens with the same frequency it did this week in future weeks! But once I posted about the need for play, all of a sudden I felt like I saw it everywhere. First it was on the Huffington Post (The Key to Happiness: A Taboo for Adults?), then I rediscovered an Etsy blog post (Fearless Creativity) I had meant to post elsewhere, and then I was pointed by several sources to Make Something Every Day, which is a fantastic idea. Clearly there’s something in the air. (Other than an inspiring young year, that is.)

But this week’s real winner is the little French girl qui a beaucoup d’imagination. This kid is perfect and amazing, guys. This is what unfettered story-play looks like. Let’s hope she never loses it!

Verbs are action words

I think The New York Times has finally published the saddest headline I’ve ever seen: Effort to Restore Children’s Play Gains Momentum.” Reading the article is hardly better. Has the United States grown so dystopian that we have to lobby schools for recess and teach our kids how to build couch forts? I tried to justify it away by reminding myself that this is The New York Times, and this article is very much focused on a certain socio-economic subgroup of Americans. Still, all too many times I’ve seen parents schedule their kids to the point of impossibility. Who has time for kids to play anymore? A lot of things depress me about the state of the world, but this one is pretty high on the list.

The tab containing the article has been open for several days now. I keep looking at the headline and shocking myself that it exists all over again. My parents were always fervent about keeping me engaged and creative: if I wasn’t reading, I was making art, or playing piano, or riding my bike, or keeping a nature journal, or trying to draw, or writing a story, or playing with a friend. I never had “playdates”: when the impulse struck or when a plan had been made at school, I asked my parents if so-and-so could come over, or if I could go over, and we’d play. Otherwise, I’d do my own thing, and be perfectly content to do so. All that unscheduled playtime, all that room to govern my own imagination, was a constant, integrated feature of my life, and it’s one of the greatest gifts my parents ever gave me.

The stories that horrified me the most, as a kid, were those of the adults who had forgotten what it was like to be a child. It was almost always a plot point or a character flaw, and it usually made them either villainous or tragic. And kids, of course, can always spot a grown-up who speaks their language: they make the best allies and supporting characters. From a very young age, I was determined to stay in touch with that part of myself. I would always know what it meant to be a kid, and I never bought any of the excuses the harried, lost grown-ups had for their implacable adulthood.

I found myself thinking of this more and more as I began putting together this blog, after months and months of mulling it over. I agonized over what my angle would be, how I would package my unique voice and/or product, how I would set up my website and on what schedule I would update it. I was so relieved when I settled on the simplest version, that I would do one personal essay and one creative response each week. Great! I thought. My system will work! I’ll be reliable! I’ll start this week!

Nothing happened. I was paralyzed by the idea that I would have nothing to say. Maybe people wouldn’t be interested in weird magical realist vignettes. Maybe my burgeoning urban fantasy wouldn’t be worth reading. Maybe I should start with literary fiction about ironically angsty middle-aged hipsters yearning for fulfillment in unironically non-mainstream ways — then the Internet would pay attention. Maybe I should find the perfect gimmick and write entirely on Twitter or Tumblr or FourSquare or something.

I’m getting bored just writing about those anxieties.

This space is about play. Present Self, take a hint from Younger Self and just do what you want. I hope this turns into a space of wild, reckless experimentation. The deadlines are there to force me to accomplish something: with a deadline, I am prouder than inertia. There is so much to try, and I am excited to try it: magical realism, hard sci-fi, alternate histories, fake mythologies, horror, humor, satire, comics, children’s stories, scripts, videos, sculpture, collage. (The one thing I can pretty well guarantee won’t be in here is poetry, though I hope one day to break that promise.)

There’s a motivational graphic out there somewhere that I’m trying to take more to heart: Stop clicking refresh and go & live your fucking life. I’m also a fan of Get Excited and Make Stuff, one of my favorite reworkings of the famous Blitz poster. At some point in my life — and if I’m honest, it roughly coincided with my discovery of the Internet — I became a person to whom at least one of these needed to be said. There was so much Terribly Important Stuff going on: college and jobs and independence and other people’s lives. When you’re little, you never understand how people can lose sight of something as fundamental as play. It turns out that when you need to start performing, play has to make room for work, and work can be a greedy beast.

Still, if work gets too greedy, I know play with always have my back. Hopefully it will for those kids in the article too. It should. Play is stubborn. Given space, I think it’ll do just fine.

Hello world!

Welcome to WordPress.com. This is your first post. Edit or delete it and start blogging!

Out with the boilerplate, in with the new, or something to that effect.

I had sort of hoped to write something more inspiring for my first entry here, but I managed to sign up for this blog tonight almost by accident. I wanted to see what would happen when you got to the domain sign-up page, and before I knew it, boom, here I was. (There’s something appealing about that stumble, I’m not going to lie.) What I have on my mind at the moment is tripartite: 1) I have eaten a really weird and mixed-up dinner tonight. The pineapple may not have been all that wise, but the brie was delicious, and I am fast becoming an addict. 2) Dear God, I meant to do more cleaning tonight. 3) I’m getting a mole removed tomorrow morning.

I’m oddly sensitive about this. When I was a young teen, I had two moles removed by a real hack — and I do mean that: the scar tissue he left makes it uncomfortable to me to wear control top anything — and I really liked those moles. I think they’re cute and charming. But this particular mole, about three and a half inches above my left elbow, has been worrisome for a couple of months, and better a scar than, you know, cancer. Still, I’ll miss it. Clearly I’m not very good with letting go of things.

Despite the pineapple, I’m feeling myself start to crash a bit, so it’s off for the evening and time to cuddle up with Season 2 of Fringe, which I’m viewing for the first time and loving, despite how hellaciously gross it is. Tomorrow, assuming something horrendous doesn’t happen with my arm, we’ll get this blog filled out a little. Well, that and the cleaning, which is an ongoing task in these parts.

In conclusion, yes, world: hello.