All My Hotspurs

Kenneth Branagh is the only Benedick; anyone else is just mouthing the lines. That’s what comes of having seen his Much Ado About Nothing at a very formative age. Even with the story reconfigured, as in the BBC Shakespeare Retold series, while I adore Damian Lewis’s take, it still looks odd to me.

I’m having this issue with a history play at the moment. Over the summer, the BBC released The Hollow Crown, a tetralogy spanning Richard II, both the Henry IVs and Henry V. Despite the fact that Shakespeare’s history plays have never really been my thing (I tend more towards the weird stuff), I was always going to watch these productions: Tom Hiddleston plays Prince Hal/Henry V. Now, he does a magnificent job, as does everyone on the cast and crew, but for me, someone else stole the show. Thanks to Joe Armstrong, I’ve become a total Hotspur fangirl. Continue reading “All My Hotspurs”

This story the world may read in me: Esther’s many feelings about Cymbeline

This past Memorial Day weekend I corrected a longstanding tragedy, which was that I had never seen Cymbeline performed. I’ve read it numerous times, but there’s a particular thrill in seeing a text you love interpreted in another medium—in this case, its right medium. The fabulous Alex agreed to trek down to Hyde Park during her visit to Chicago, and we showed up, full of dinner from a favorite college haunt, for an outdoor performance at the new (and stunning) Logan Center for the Arts. Continue reading “This story the world may read in me: Esther’s many feelings about Cymbeline”

I got the wandering blues

It’s been a season of convergences lately. I just paid my taxes, along with, it seems, every bill known to man, so I’m a little broke but feeling light for the moment. April 1 was the fourth anniversary of my mom’s first brain surgery, and this past Friday she finished up her three weeks of radiation. Work is heating up, Passover is coming and I’m taking my shot at running away for a while. It’s been nearly two years since I had a real vacation, something more than weekends home with my parents or a slightly longer weekend with friends in other cities. I’m taking ten days on the Southwest Chief, an Amtrak route from Chicago to Los Angeles, with stops along the way. I’m bringing my camera, my notebooks and possibly my ukulele. I’m going to see friends I’ve known for years but never met in person. I could not be more relieved and happy.

The last time I did this, it was only one way. I was coming home to Ohio after the most miserable summer of my life, and since I was in San Francisco, I thought I’d make the distance worth my while. Taking the California Zephyr in August 2006 was one of the best decisions I’ve ever made. I never quite managed to share the pictures from that trip; frankly, I made a stop in Rocky Mountain National Park with my brother and wound up with about 200 shots of mountains and pine trees and roadside elk. It seemed a lot to sort through, but it also felt private, in a way. I liked having that trip to myself. I’m in a much different place in my life now, thankfully, and I expect to share a lot this coming journey on a number of different outlets. For now, though, here are a few images from my last time around. Watch this space for some other things, interesting things, soon.

Reno, Nevada
Somewhere, Nevada
Somewhere, Utah
Union Station, Denver
Depot, Downstate Illinois
A philosophical statement if ever I saw one.
Conductor; I've always liked the memory of how he kept an eye on us and yet seemed to want to keep going.
Downstate Illinois
Things the sky does in the Midwest
I'm coming home.

Regarding delays

I’ve alluded, on and off, to outside stresses that are keeping me from updating as regularly as I’d like. It’s gotten to the point where it makes less sense to avoid talking about what’s going on. So, here it is.

My mom has been dealing with brain cancer (glioblastomas) for about four years now. In November, she had a clean bill of health, but this past Monday, another MRI indicated that tumors are growing again. The physician who’s been in charge of her treatment since her diagnosis says that this is now an end-of-life conversation, and that she may have anywhere from two to six months to live.

My family is not giving up hope; there are several discussions now about second opinions and other options, including the possibility of seeking treatment at cancer centers out of state. Right now we are working to give her the best treatment and support that we can. I have tickets to fly home on Friday, but plans are still shifting.

This is the nightmare scenario, and it’s scary and it’s awful beyond words, but I can say this: the love and support of the people around us are overwhelming, and incredibly appreciated. It’s humbling. Thank you. Many times over, thank you.

What will this mean for Innogen and the Hungry Half? I don’t know yet. It may be that I work on it all the harder in order to have some way to be away from all this; it may be that I can’t focus at all, and Magpie & Whale becomes more nonfiction for a while. My intention is to try for the former, and the goal is still to finish the story by April, as the outline dictates. Readers, you have been so supportive and so patient and so encouraging; when so much else is going to pot, I absolutely appreciate that kindness and enthusiasm.

So, that’s that. I suspect I’ll be writing about it again as we go forward, but I just wanted to stop being oblique. This is no longer something I can keep separate. Thanks again for sticking around.

Best,
Esther

Love in the time of science

Nikola Tesla testing Tesla coil indoors

First things first, folks: I have every hope of posting Chapter 8 of Innogen and the Hungry Half this Tuesday. I am proceeding with this post as though that will be the case. There’s some personal stuff happening at the moment, though, and we expect to get some important news over the next day or two. If there’s another delay, it will be because I’m dealing with family things. As ever, I deeply appreciate your patience and support.

I have been having some frankly wonderful conversations lately with the fabulous Alexandra Kingsley, who is always doing a lot of really cool things with literature, theater, the BBC Sherlock and Americana. (Everything she does is excellent, so you should check out her work!) She told me that she enjoys reviewing these preview posts after the next chapter goes up and seeing what hints link up to the story. Does anyone else do that? I really enjoy writing these up, so it’s lovely to hear you all are enjoying them too.

Fun fact, as an aside: Nikola Tesla shares a birthday with me, along with Jessica Simpson, John Calvin, Marcel Proust and the State of Wyoming.

In The heavens must still work, Imogen wakes up to find the world has changed around her while she slept. She goes to confront the source of all this upheaval, but what Rigantona has to say shocks her. What’s coming? How will it all unfold? Read on and see what you think!

One song:

“Haunted” by Poe [lyrics]

Ah, Poe. So great for so many reasons. This song and this album in particular have a lot of Shakespeare in them: Poe has threaded Hamlet throughout the album’s narrative, and here, bits of King Lear (“My heart will break before I cry”). I’m also delighted, now that I’ve read the lyrics, to discover that one line is “Hallways, always.” Right fitting all around.

Two links:

Rigantona’s device is not quite a Tesla coil, though they’re certainly closely related. One great thing about writing steampunk technology is you can play fast and loose with your skience, so long as you keep it believable/consistent. I do this with open eyes and hope my readers do too. However, this guy who works at the Griffith Observatory in Los Angeles (which you may recognize from Rebel Without a Cause) gives a great five-minute explanation of what a Tesla coil is really capable of, aside from emitting really cool, gigantic sparks.

And who knows how accurate this is, considering it’s from Tumblr, randomly, but I enjoyed this factoid about children and the age of most nightmares. Considering what’s coming, you may too.

Three lines:

Do you feel me right here? She pressed him to her shoulder as he gasped himself back to sleep. It was a problem to be worked out in the dark, the thin weight of him huddled against her side.

Big things are coming. Are you ready? New, game-changing chapter this Tuesday! As always, no knowledge of steampunk or Cymbeline is necessary to enjoy Innogen and the Hungry Half, but if you’d like to read the play, MIT has the full text available for free online.

The White Rabbit is my spirit animal

At some point early on in the process of writing Innogen and the Hungry Half, I made an attempt at devising an ideal and reasonable production schedule, one that would more or less keep my usual stressors at bay. It’s so sensible, I’m amazed it came to me at all. The schedule looks like this:

Tuesday: Having published a chapter at 9 a.m., I may spend the day alerting readers of the update and taking notes to outline the next chapter.

Tuesday evening, Wednesday and Thursday: Write 1,000 words each day for a first draft. Each chapter tends to be about 3200 words, more or less. During this time I also bother Excellent Enabler with sections as they come, and she tells me what she likes and what could use improving.

Friday: After polishing the first pass, I then send the draft to First Beta, who gives incredibly helpful notes about structure, characterization, plot holes and other big picture issues.

Saturday: I write that week’s chapter preview, which I then schedule to post automatically sometime Sunday morning.

Saturday night or Sunday morning: I edit according to First Beta’s notes, and send the revised draft to Second Beta, who tackles word-by-word issues, smoothing out unclear passages, typos and other messy writing bits.

Monday evening: I edit the chapter with Second Beta’s notes, and schedule the post to go up the next morning. Then I kick back and congratulate myself for managing my time and resources so well.

Sadly, this has yet to actually happen: the real process involves a lot more procrastinating, obsessive outlining, endless and obscure note-taking and scrambling to make deadlines. Things are always finished much closer to posting than is comfortable. Weirdly, though, I like it, and miraculously, so do my friends, for which I am very, very grateful. And each week is an opportunity to get better! This entry is dedicated to anyone who has ever received a frantic last-minute email from me promising that this is the last time this will happen.

Last time, Imogen and Posthumus had a night on the town that anyone would want to sleep off somewhere private. Too bad that’s never an option when you’re the daughter of the king. What’s waiting for them on the other side of the alarm clock? Check back Tuesday to find out — for now, some hints and clues!

One song

“The White Queen Sleeps/The White Palace,” Iain Ballamy, Mirrormask

Do yourself a favor and see this movie if you can; it’s not actually as dated as this trailer makes it look. Imogen is going to wake up in a world that’s askew. This track unnerves me every time I hear it; it’s just off and just eerie enough.

Two links

Tattoos fascinate me, especially when they pop up in seemingly unlikely settings. A Brief History of Tattooed Ladies also piqued my interest.

I’m also not going to deny that there’s any of Hedy Lamarr in Rigantona; it’s too neat a fit.

Three lines

I see the corner of his mouth quirk, but his shoulders are tight. “It came out, though, that I changed when I was eight. He just thought I was living up to my potential.”

All right, we’re off to the races now. Come back on Tuesday to see how it falls together! As always, no knowledge of steampunk or Cymbeline is necessary to enjoy Innogen and the Hungry Half, but if you’d like to read the play, MIT has the full text available for free online.

Older than I’ve ever been

Question mark on train wheel

One of my very dearest friends is in Chicago for a quarter, doing wonderful and enviable things at our alma mater. We met up yesterday and instantly started rambling about all the writing projects we have in the air. Being able to talk about story and craft and influences and all the tricksy bits of writing is one of the many reasons I’m so deeply happy she’s here. I began telling her about the series (!!) I want to start (“You want to write not-urban urban fantasy!”), and she told me all about her plans to submit short fiction to paying markets.

“Where does one find out about that?” I asked. “Because all these people I know find out about all these neat anthologies, and I can’t ever seem to keep on top of it!”

“Duotrope,” she said, and I said, “Ooooooh.”

I bookmarked Duotrope once upon a time, but it was buried in a browser I hardly use anymore, and being concerned with other stages of my writing career, I forgot about it. Now, of course, I’m getting that feeling: this is the year. This is when I’m going to buck up and start submitting. This is when I’m going to see my name in print, so to speak. I’ve got all sorts of plans and ideas, and I feel terrifically energized, especially now that Innogen and the Hungry Half is approaching the “one-third of the story” mark, which I honestly kind of never thought would happen. (New chapter this Tuesday, by the way! My computer seems to not be dying yet, thank goodness, and if it does, I’ve wised up and have my external hard drive to save me.)

At the beginnings and ends of calendar years, we often wind up taking stock and making plans. I’m generally less good at the latter, but I found my most recent bout of the former yielded some pretty good results. As it happens, today is the one-year anniversary of my first post to Magpie & Whale. It’s basically a filler entry–it even retains the “Hello world!” subject line–but it’s amazing how far this site has come since then.

We’re also nearing my half-birthday (five more days!), and being 27 and a half gives me a good deal of thoughts. This past birthday, I started to feel like it was time to get my life together in a more directed way. About a year ago, I made up a list of things I wanted to do before I was 50 (see July 10, 2034); I’m actually able to cross some of those off today, to my great delight. I know what I want to do for graduate study, and I know where I want my career to take me, which is farther along than I’ve ever been before. (I’ve also got some big trips and excursions planned: stay tuned for the fun times as well!)

I’m so proud of the work of the past year, and particularly of the past several months. Thank you, all of you, who have read and commented on and shared this project. Thank you to my wonderful friends, who have made this conversation so quality and so interesting. Thank you to my family, who stays interested and cheers me on. I think 2012 is going to be a good one. Much love, and let’s make it come true.

Bartlet for America and other words to live by

Many of us, I think, have good reason to be mad at Aaron Sorkin. His heroes elevate the professional life to classical heights, and I suspect that if I let myself, I could be quite bitter that the workplace is rarely the scene of an impassioned plea for idealism in action, or even a good pedeconference. It’s not that I feel lied to, because we’ve always known that The West Wing and Studio 60 and Sports Night were fairy tales, but now I have this model for how I’d love to live my professional life, and I don’t know where it exists.

Don’t get me wrong: my colleagues at my day job are passionate, hardworking, good people. I work at a nonprofit, and I’m very proud of my organization. Oddly enough, though, each day doesn’t unfold like a 45-minute play. There is very little patter, and even less narrative symmetry.

I’m taking the GRE tomorrow, which is why there’s no new chapter of Innogen and the Hungry Half today. As a coping mechanism, as those of you who follow me on Twitter have seen, I accidentally wound up watching the second half of Season 1 of The West Wing, and then the first two episodes of the second season. It’s been a while since I’ve spent time with the Bartlet White House, but one thing becomes apparent very quickly on a rewatch: I am still deeply in love with every one of these characters. It is an ensemble show in the truest sense; even the incidental characters are rich, and all of them mean something to each other. Sorkin’s writing and world-building are staggering, and the man who’s capable of intensely funny episodes (need I say more than “secret plan to fight inflation”?) is also responsible for   some of the most powerful and moving television ever aired (“Noël,” Season 2’s Christmas episode, is basically flawless).

There’s a reason we love them all, C.J. and Toby and Sam and Josh and the rest. The commitment these characters display, to their work, to their colleagues, to their principles, is immensely appealing—and this is one of many reasons why it’s a fairy tale, of course. Those manifestations that are out there in the real world aren’t marked by speeches or great banter: they’re subtler. That’s fine. But digging deeper, we find that one feature binding the players of the Bartlet Administration is a commitment to professionalism, to being able to take care of things, to fix them. “Don’t worry about it” is a constant refrain on The West Wing.

I remember, somewhere around middle school, I started having conversation with my parents about how they chose their jobs and how they became an English professor and a psychologist. My mom’s answer has always stuck with me: she wanted an identity as a professional, and I think I’ve absorbed that more deeply than I realized. I want, more than anything, to be a professional writer. It’s been the only consistent occupation I’ve ever wanted, and I’ve been writing stories since I was 4. Magpie & Whale is an effort toward that: with a long interruption in the middle of the year (for family health reasons), I’ve tried to hold myself to a regular posting schedule. I like the challenge of a deadline, and of producing good work quickly. One of the reasons I’m doing Innogen weekly is to push myself out of my comfort zone.

For five weeks, the story was produced more or less on schedule. However, it coincided with an immensely stressful month that I couldn’t have predicted, and while I tried to roll with the punches, some things have to be sacrificed, and given that my other balls in the air were paid work, graduate school prep, family commitments and personal issues, Innogen was what took the hit. (That was three entirely separate metaphors in one sentence—apologies!) I’ve been beating myself up about this. If I’m going to be a professional, I should be able to produce, I should be able to manage my time so that somehow I can put together work that makes me proud. That isn’t what happened, though—I wasn’t proud of any of the starts I made at Chapter 6, and I want this story to be good too badly to sacrifice quality for regularity.

So, all of this is to say that I’m sorry Innogen has fallen off the grid these past few weeks. Once I’m done with the GRE tomorrow, that will be off my back, and I hope to be able to resume normal life/posting. I’m very excited about where the story is going, and I so appreciate those who’ve stuck with me. It means more than I can say that people are interested in this. Thank you.

In the meantime, I have less than 24 hours until I take what I hope is the last standardized test of my life. There are still a few fistfuls of practice sets to do, and—dammit, Sorkin—more episodes of The West Wing to anticipate as a reward.

Blurred to protect the innocent

The day after the next installment of Innogen and the Hungry Half goes up (or is supposed to go up — more on that in a minute), I’m flying to Columbus, Ohio, for Thanksgiving with the fam. The only sensible way to ensure that I enjoy my vacation and you enjoy the next chapter is for me to take a breather, so FYI, we’re going on hiatus for two weeks starting this Tuesday. I promise that means there won’t too much of a cliffhanger. Wait, what? No, sorry, I think I mean the opposite of that.

In all seriousness, it’s going to be a good spot for a break. I charged into writing this story on fairly little notice. There’s a larger outline planned, and I know the ending in as exquisite detail as I knew the opening, but it’ll be good to step back and get a little more strategic about where we’re going in the more immediate future. We’ve had a lot of character- and world-building so far; in long-form improv, or at least in the Harold that they teach at iO, this is the first beat of the show, from which you extrapolate the rest and go in wild and new directions. Personally, I’m looking forward to the action, capers, skience and intrigue that’s coming — and I thank you all for staying with the story, whether you’ve just arrived or read since the beginning!

Magpie & Whale won’t be totally quiet, though. I’ll be posting some tidbits to tide us over, and — if you’re curious — answering questions. Actually, I would love to answer your questions about the story — where the idea came from, what a detail means, how I envision something, whatever you can come up with! Please feel free to send me a Tweet or a DM on @magpiewhale, to submit an Ask on my Tumblr or to leave a comment here. Queries about the future of the story will be as cryptic and misleading as I see fit, which I hope will be to our mutual entertainment.

On a separate note, Chapter 6 has turned out to be more work than I anticipated. Given the rest of my workload, I’m going to try and get it out by Tuesday or Wednesday morning, but in the interests of having a good chapter rather than an on-schedule chapter, it may be a little later than normal. Thanks for your patience.

Last week, after being thwarted from every corner, Imogen decided to hell with it and broke out, only to find that the dream team was, somewhat conditionally, together again. Now she and Posthumus are on the hunt for Cloten, somewhere in the public houses of Londinium. That can’t possibly go wrong in any way, right?

One song, which is all for this week, alas

“Tubthumping” by Chumbawamba [lyrics]

If you were alive in 1998, you probably have this song burned into your ears forevermore. It is a stupid, stupid song, and also incredibly catchy. I don’t have a lot of pub crawl music, but Flogging Molly was too political for what I was looking for: a theme song for Cloten’s night out on the town. I feel like he would be pretty laddish offstage, given what we see in polite company. (Obviously the oeuvre isn’t confined to Chumbawamba by any stretch of the imagination, but despite the track’s commercialism, it gets the job done well enough for our purposes.)

In conclusion, this can only end well. Tune in this week to watch it unfold! Don’t forget, I’ll be answering your questions about Innogen over the hiatus, so send ’em in wherever you’re happiest. As always, no knowledge of steampunk or Cymbeline is necessary to enjoy Innogen and the Hungry Half, but if you’d like to read the play, MIT has the full text available for free online.

Picture not representative of my weekend

I write this from the futon at a friend’s place in another state. Another friend drove us down here, and we’ve been marveling at how gorgeous her apartment is and rending our hair at the low, low rent. It’s been a great opportunity to get out of Chicago and hang out with people I adore, but unfortunately work, like a Prohibition-era G-man chasing down bootleggers, will always cross state lines and stay on my tail. I’m pleased to report that I’ve made my way through all the chapters of my Kaplan GRE test prep workbook, and that high school math is finally fun for me. However, it did require that my two friends leave me at the apartment for a few hours yesterday. Not exactly the mini-vacation it could have been, but I know I won’t go into full-on panic mode later.

All this prioritizing and pacing of competing and equally pressing needs feels very like college again. In theory, I’m older and wiser now, and not given to all-nighter weekends. That’s borne out less than I would like, but I have been congratulating myself a little for keeping Innogen on schedule for a whole month. That’s certainly an improvement over college-aged Esther, and I hope it bodes well for throwing myself back into school again.

Last week, Imogen took a huge risk and revealed the full extent of her suspicions about her nightmares. The risk seems to have isolated her, though — and as a woman of politics, she can’t let her emotional life interfere with teasing out this undercurrent of rebellion against Rome in Britain. Not being able to talk to Posthumus has thrown her off-kilter, though, and one or the other needs to be resolved as soon as possible.

Which will it be, and how? Tune in Tuesday to see it for yourself. For now, some preview material!

One song

“Sea Lion” by Sage Francis [lyrics]

I was introduced to this song by an incredible fan video about Dean Winchester and his mother, characters from the CW series Supernatural. I love the restlessness of the track, and the conflict. Sage Francis is just blisteringly intelligent too, and there’s a vividness about his music that really works for me. In certain ways (not all of them obvious yet, but that’s on me), “Sea Lion” could speak for Imogen or Posthumus right now; certainly “a healthy distrust” is good advice for them both.

Two links
I need to give a well-deserved shout-out to Cambridge University, alma mater of my future husband and also home of the incredibly useful Celtic Personal Names of Roman Britain. Seriously: this thing is the best of the best, as far as this story is concerned.

Sorry, this is a short one this week, since at this point, large swathes of Chapter 5 still need to be written.

Three lines

“Doctor, where is Posthumus now?”

He frowns, and makes an aimless gesture toward the palace. “She was on her way to inspect the walls, and he wanted to go along. Physics,” he adds, with a shrug.

Curious? Given my schedule, so am I! Swing back on Tuesday to see where it all leads. As always, no knowledge of steampunk or Cymbeline is necessary to enjoy Innogen and the Hungry Half, but if you’d like to read the play, MIT has the full text available for free online.